“I don’t give a damn about my reputation.” It is a sentiment often
echoed by punks, rebels, and other brands of misfits hoping to differentiate themselves
from the rest of the comparatively tame population by displaying their apathy
towards societal expectations. These revolts against regularity, however, often
fall flat, because deep down doesn’t everyone want to feel that they belong? No,
not everyone. In her 1980’s music video for her popular single “Bad Reputation,”
Joan Jett makes it abundantly clear to her audience—comprised of both fans and
critics—that she will go against the grain and triumph not in
spite of this but because of this. Jett’s
physical appearance and primary sources are strategically used throughout the
video in an attempt to prove to her viewers that she is successful because she
does things differently in every facet of her life.
Take Jett’s clothes as an example. During an era of bright colors,
big hair, short skirts and exposed shoulders, Jett stomps through the majority
of her video with heavy boots on her feet, an ill-fitting leather jacket on her
back, and a snarl on her face. Her masculine, grungy look is vastly different
from typical eighties fashion. This wardrobe choice is used to establish her
rebellious nature. The video’s message
revolves around the fact that Jett is different from everyone else and is proud
of it. Her song is certainly removed from the expected eighties music, but if
her audience looks at Jett and sees mainstream eighties fashion then they are
less likely to believe Jett when she claims she is unique. As the common expression
states, “seeing is believing,” so Jett ensures that her audience is presented with
a look that matches her message. This approach is compelling, but if represented
by a single source, not convincing, something Jett takes into account.
Concrete evidence of Jett’s unconventional success appears in the
form of multiple primary sources. The music video is littered with shots of
posters and music billboards advertising Jett’s other popular songs. The posters
have headlines that scream about Jett’s success, while Billboard’s Top 100 blatantly
displays another one of Jett’s songs as number one. Since this information
comes from sources other than Jett, they serve as an affirmation to her claim. Instead
of having one source of information to rely on, the audience can clearly see that
Jett is truthful when she says her uniqueness has brought her success because
they can see tributes to that success. People might be skeptical when it comes
to believing someone when he or she praises his or her self, as that person’s
opinion is likely biased, so Jett’s inclusion of multiple perspectives is done
in an attempt to validate her success to her audience.
Most people walk a thin line in their lives- on one side is their
desire to be unique and special, on the other is their desire to belong and be
accepted by others. Jett, on the other hand, leaps over that line, sets fire to
the side of acceptance and embraces the side of uniqueness. She makes this clear in her “Bad Reputation”
music video through clever rhetorical strategies. And if she doesn’t? Well, she
doesn’t give a damn!
Ok, Audrey, great. First, you are a VERY strong writer. This post demonstrates that you not only know how to construct technically precise sentences, but that you write with a level of sophistication as well. I thoroughly enjoyed reading this. You write so well, and you seem to have such a grasp of the proverbial "bigger picture," I was craving more. I wish you would have more clearly defined what you meant by "typical eighties fashion" and "expected eighties music." You set yourself up to provide a nice concrete example of this, but you never did. I was hoping you would drop a reference to Belinda Carlisle or Tiffany, or some "typical" or "expected" 1980s music. You're clearly smart, and you know stuff. Don't be afraid to include it.
ReplyDeleteThere is one minor flaw with the logic that I want to point out. You write several times about Jett's "uniqueness," but you never prove this outside of the context of the video. You never prove that the music video tries to capture an identity that Jett also presents in her real, non-fiction life. How do we know that Jett wasn't just acting that way in the video? Because you never really address this, by citing examples from her real life, you never prove your claim that Jett successfully "revolts against regularity."
Regardless, you are a talented writer. Your challenge will be to make sure the logic lines up.